Kendrick Lamar and SZA bring “All the Stars” to life in the sleek video for their Black Panther collaboration.
Directed by Dave Meyers and the little homies, the Grammy-winning team behind “HUMBLE.” and “LOYALTY.,” the visual features stunning imagery inspired by the upcoming Marvel superhero film. K-Dot even walks around with literal black panthers at one point.
“All the Stars” also captures the TDE stars in all their glory. King Kendrick is hoisted above a crowd of supporters and later surrounded by tribal dancers in a land inspired by the Kingdom of Wakanda, the fictional home of Black Panther.
The regal clip also finds SZA amid a sea of stars, tribal dancers, and an elaborately-decorated pool. Later, a constellation in the shape of Africa forms in her hair, before the clip fades to black. This article originally appeared in Rap Up
Nicki Minaj, Kendrick Lamar, SZA – All The Stars [Black Panther Soundtrack] [MASHUP]
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Exciting tune by The MVI, dropping a cool, laidback disco groove alongside catchy guitar licks, sensual vocals and spacious electronics. Save Me is an airy piece of dance music, delivered by one of the biggest talents out there, surely bound to get those feet moving this spring. Better save yourself for this one!
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Azealia Banks might make a lot of headlines for her opinions, but she still does her best to cater to her musical fans whenever she can. The Harlem rapper releases the music video to her “SODA” record, which comes off of her 2014 debut album Broke With Expensive Taste.
The Jahvel Brown-directed visuals feature Banks sitting on top of some rock formations in a desert, where she is joined by a drummer dressed in a fancy ensemble. Azealia sports a golden dress, along with some black globes and combat boots, while exploring different parts of the desert.
The song dives into an intense breakup that the New York native experienced in 2012, which is when she penned the record for the previous project.
Things have already started off on a busy note for the “Movin’ on Up” entertainer, as she signed a $1 million deal with Entertainment One back in February. She is also still currently working on her forthcoming Fantasea II: The Second Wave album, which she has given fans teasers of since the start of 2018. This article originally appeared in XXL Mag
“SODA” From Broke With Expensive Taste
dir: Jahvel Brown
The Echosmith group premiered the single “Over my head”, the first one released since entering the recording studio at the end of last year. According to a press release, the material shows the clear evolution of the group in the sound, in which the line of synthesizers is accompanied by a sticky chorus and a series of beats. This is the first test of what will be his new short-lived album (EP) that will be released in the summer. In addition, the group will tour the United States next to The Score and Jena Rose, which will begin on April 4 in San Francisco. This “tour” includes 20 dates for cities such as Los Angeles, New York and Chicago. “Over my head” is the most recent release of the band and the first single to get rid of their next EP entitled “Inside a dream EP”, which gives continuity to their debut album “Talking dreams”. This article originally appeared in Notimex
Echosmith – Over My Head [Official Music Video]
Listen Now: https://Echosmith.lnk.to/OverMyHead
Apple Music: https://Echosmith.lnk.to/OverMyHead/AppleMusic
Snakehips have a penchant for making electronic music that is both cool and wholesome – who knew there could be such a thing? The British duo is best known for the single ‘All My Friends’ featuring Tinashe and Chance the Rapper, the anti-party (party) anthem which encapsulates their production style: nostalgic beats which grapple with emotion.
The talent they attract to feature on their records is a credit to their authentic artistry and, crucially to their success, they have a gift for catching artists just as they start to ride their crescendo. They worked with Chance just before Coloring Book (2016), Anderson .Paak as he released Malibu (2016) and D.R.A.M. in the aftermath of his Grammy nominations last year.
The new single is titled ‘Cruzin’’ (feat. St. Rulez), a release pre-ceding the upcoming Stay Home Tapes EP. The song is smooth-as-can-be and St. Rulez provides a laid-back performance that blends song and rap. The chorus is a 80s-inspired joy that doesn’t take itself too seriously, setting a tone that makes the song unique in its genre. The layers of the song are impressively well-blended, Snakehips have continued in an enviable run of thoughtful tracks in the electronic dance scene. The EP looks to be a hit. But, better yet, it is set to deserve as much acclaim as it does attention. This article originally appeared in Spindle Magazine.
Snakehips feat. St Rulez – Cruzin’ (Stay Home Tapes – Act 1)
Listen to/get ‘Cruzin” here: http://snkhps.co/Cruzin
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With less than three weeks to go until the release of Alison Wonderland’s new album, AWAKE, comes the ambient single “High” featuring Ohio rapper Trippie Redd. The track is accompanied by a mood-enhancing video featuring Wonderland and Trippie Redd and animation by Jayme Lemperle and Evan Red Borja. It was self-directed by Alison Wonderland, with cinematography from Jeffrey Zoss.
Wonderland says, “It was a real pleasure to work with Trippie. It is important to vibe with an artist before we collaborate. When he heard this song, it was very organic, and he jumped in the booth and we walked out feeling that we had something special. I felt like this song had a certain spirit and wanted people to feel like they were going on a journey with us….just like when watching the music video.”
With two U.S. Gold singles already under his belt, 18-year-old Trippie Redd has been described by XXL, Mass Appeal, Pigeons and Planes, hnhh and Noisey as “rap’s next rock star.” His debut mixtape, A Love Letter to You, launched a series of viral hits: “Love Scars” surpassed 16.1 million plays on SoundCloud and 11.9 million Spotify streams in addition to appearing on playlists such as RapCaviar, Most Necessary and Liit. “Romeo & Juliet” generated 6.6 million plays on SoundCloud and 3.5 million Spotify streams. Noisey observed, “While most of his contemporaries produce gritty, bass-driven bangers, Trippie toys with melody and adds a softer element that sets him apart from the pack.” The New York Times praised his “deep-haze vocals, ambling emotions, and slow-fade resolution” and FADER said that his “hook-making abilities and confessional writing…immediately stand out.” This article originally appeared in Astral Werks
Pre-order ‘Awake’ by Alison Wonderland: https://AlisonWonderland.lnk.to/Awake
Download or stream “High” by Alison Wonderland feat. Trippie Redd:
More – https://AlisonWonderland.lnk.to/HighID
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Director: Lee Spielman
Animations: Jayme Lemperle & Evan Red Borja
Camera: Jeffery Zoss
Editing: Jeffrey Zoss